Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was a pioneering American jazz, blues and rhythm & blues musician, songwriter and bandleader who enjoyed his greatest popularity from the late 1930s to the early 1950s. Known as "The King of the Jukebox", Jordan was highly popular with both black and white audiences in the later years of the swing era. In 2004, Rolling Stone Magazine ranked him #59 on their list of the 100 Greatest Artists of All Time.
Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the all-time most successful black recording artists according to Billboard magazine's chart methodology. Though comprehensive sales figures are not available, he scored at least four million-selling hits during his career. Jordan regularly topped the R&B "race" charts, and was one of the first black recording artists to achieve a significant "crossover" in popularity into the mainstream (predominantly white) American audience, scoring simultaneous Top Ten hits on the white pop charts on several occasions. After Duke Ellington and Count Basie, Louis Jordan was probably the most popular and successful African-American bandleader of his day.
Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his day, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a major black film personality—he appeared in dozens of "soundies" (promotional film clips), made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him. He was an instrumentalist who specialized in the alto saxophone but played all forms of the instrument, as well as piano and clarinet. A productive songwriter, many of the songs he wrote or co-wrote became influential classics of 20th-century popular music.
Although Jordan began his career in big band swing jazz in the 1930s, he became famous as one of the leading practitioners, innovators and popularizers of "jump blues", a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar. Jordan's band also pioneered the use of electric organ.
With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock'n'roll genres with a series of hugely influential 78 rpm discs for the Decca label. These recordings presaged many of the styles of black popular music in the 1950s and 1960s, and exerted a huge influence on many leading performers in these genres. Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan's recordings in his later production work with Bill Haley, including "Rock Around The Clock".
Louis Jordan is described by the Rock and Roll Hall of Fame as “the Father of Rhythm & Blues” and “the Grandfather of Rock ‘n’ Roll.”] He is one of a number of seminal black performers who are often credited with inventing rock and roll, or at least providing many of the building blocks for the music. Jordan was the greatest post-war exponent of the jump blues style, one of the prototypes of rock and roll, and he paved the way for Roy Brown, Wynonie Harris, Tiny Bradshaw and others. Jordan also strongly influenced Bill Haley & His Comets, whose producer, Milt Gabler, had also worked with Jordan and attempted to incorporate Jordan's stylings into Haley's music. Haley also honored Jordan by recording several of his songs, including "Choo Choo Ch'Boogie" (which Gabler co-wrote) and "Caldonia."
Jordan's vocal style was arguably an important precursor to rap. His 1947 sister tracks, "Beware (Brother Beware)" and "Look Out (Sister)", entirely delivered as spoken rhyming couplets, can arguably be classified as one of the very first true "raps" in popular music. "Saturday Night Fish Fry" (1950) also features a rapid-fire, highly syncopated semi-spoken vocal delivery that is strongly reminiscent of the modern rap style.
Louis Jordan, ca. July 1946
|Also known as||"The King of the Jukebox"|
|Born||July 8, 1908|
Brinkley, Arkansas, United States
|Died||February 4, 1975 (aged 66)|
Los Angeles, California, United States
|Genres||Jump blues, Jazz, Blues, R&B,Big band, Comedy music|
|Occupations||Bandleader, songwriter, singer,saxophonist, actor|
|Instruments||Alto saxophone, saxophone,piano, clarinet|
|Associated acts||Tympany Five|